Drama

'Two Gentlemen of Verona' is one of Shakespeare’s earlier works. I’ve always thought it was one of the Bard’s easier plays to follow, written before he got all “Shakespeare-y.” It’s the tale of besties Valentine and Proteus whose friendship is tested by, of course, a woman.

The Raven Players’ offerings begin as soon as Thursday, July 31, with the performance of one of Shakespeare’s earliest plays, "Two Gentlemen of Verona," at the newest Raven venue, Bacchus Landing. While it’s technically not part of the Raven Players’ season, it fits the playbill nonetheless.

Reviewer Harry Duke last spent time with The Sugar Bean Sisters eight years ago at a production by the Spreckels Theatre Company in Rohnert Park. His general reaction at the time was that it was a very strange show. If anything, now it's stranger.

Andrew Lloyd Webber bought the stage rights to the 2003 Richard Linklater/Mike White film starring Jack Black and joined with playwright Julian Fellowes (Downton Abbey!) and lyricist Glen Slater (The Little Mermaid) to bring the tale of Dewey Finn’s transformation of a group of prep school students into rock stars to Broadway as a musical. It's now at the Raven Theater in Healdsburg.

Who hasn't been tripped up by the slip of a finger while texting with family or been infuriated with ducking autocorrect? Who hasn’t mistakenly wished for the death of their grandfather in a text chain with a sibling and then found themselves exploring options for doing so? That's the premise of 'The Burdens,' the play now on stage at The 222...

Even those who haven’t read the book or watched the movie probably know the plot: Francesca Johnson (Katie Watts-Whitaker) is a disillusioned Italian war bride now stuck in an Iowa farmhouse with a stereotypical American farmer (Matthew T. Witthaus) as a husband. Her husband and the kids have gone to the fair, leaving Francesca alone for four days... Entanglements ensue.

“We were down to 'Man of La Mancha' and this show,” director Joe Gellura said. “And Bridges of Madison County' was a show that I personally wanted to do since I saw it on Broadway 11 years ago, with the original cast.” That production won two Tony Awards, including for Best Original Score and Best Orchestration for the composer, Jason Robert Brown.