Music

This sense of fun and unfettered creative abandon is one hallmark of Lucius’ live shows. Prone to donning matching wigs and outfits, Laessig and Wolfe are often mistaken for being twins. On top of the flawless harmonies they deliver, longtime fans have learned not to bat an eyelash when the duo busts out matching “keytars"...

What began with the Noah and Kelly Dorrance's passion for music and wine has grown into an annual festival that brings people together through a shared commitment to making a difference in the world.

“Modern Mississippi music.” If you ask singer/songwriter/multi-instrumentalist Luther Dickinson to define what the North Mississippi Allstars (NMA) create, that’s the answer he’ll give. It’s the path he and his brother Cody have been traveling down ever since NMA dropped their 2000 debut, Shake Hands with Shorty, and one the band members will share when they hit the LBC stage on May 9.

Topo, in Fiddler on the Roof, was a Klezmer musician, “schlepping his way from shtetl to shtetl… a distinctive image of pre-war Jewish life in the Ashkenazi communities of Eastern Europe,” according to worldmusic.net.

SIP founder Patrick Davis and his wife, Lauren Jenkins, are big fans of Healdsburg, Davis said, noting that every time he visits, he is impressed by the friendliness of the locals. He was introduced to the city by Mike Brennan, board member of the Chamber of Commerce and director of sales at Mills District, Davis said.

Tinsley Ellis is out driving around the country on what Alligator Records has dubbed his “Two Guitars and a Car” tour. That car brings him to Healdsburg’s Raven Theater on Friday, Nov. 21.

As a recording artist, if a person hangs around long enough, they get to look back at their body of work. And if they’re really lucky they not only get to revisit their canon, they even get a shot at reinterpreting and reimagining these earlier fruits of their labor. That’s what Alejandro Escovedo has done with his latest album, Echo Dancing. It finds him using the past to shape the future.

Now widely known as “The Harlem Nutcracker,” Duke Ellington and Billy Strayhorn wrote it for Columbia Records, along with film scores and other work. It was met with a sensational reception