"Macbeth stomped about the stage more concerned with his manly swagger than any of the events taking place in the play. If his desire was to make Macbeth a raging, petulant symbol of toxic masculinity, then Witthaus was quite effective. I hope this was the intention," says critic Caitlin Strom-Martin
Jonathan Spector’s Eureka Day is a play with deep Bay Area roots. Originally commissioned by Berkeley’s Aurora Theatre and first performed in 2018, it won the 2019 San Francisco Bay Area Theatre Critics Circle Award for Original Script and Theatre Bay Area’s Will Glickman Award for best new play to premiere in the Bay Area. It's now at Healdsburg's Raven Theater, until Sept. 21.
'Two Gentlemen of Verona' is one of Shakespeare’s earlier works. I’ve always thought it was one of the Bard’s easier plays to follow, written before he got all “Shakespeare-y.” It’s the tale of besties Valentine and Proteus whose friendship is tested by, of course, a woman.
“We were down to 'Man of La Mancha' and this show,” director Joe Gellura said. “And Bridges of Madison County' was a show that I personally wanted to do since I saw it on Broadway 11 years ago, with the original cast.” That production won two Tony Awards, including for Best Original Score and Best Orchestration for the composer, Jason Robert Brown.
here’s quite the variety of live theater from which to choose to warm our hearts and minds, and to escape the North Bay’s cold winter nights. Harry Duke points out a few shows worth seeing...
Audiences headed for a performance of the Raven Players’ production of Cinderella who are expecting anything along the lines of a Disney musical are in for a bit of a surprise, says drama critic Harry Duke...
This weekend’s opening marks the culmination of 10 years of research, inspiration and introspection for playwright Francine Schwartz, now 75, along with a lifetime of memories. That decade began in 2014 while she went through family possessions in the family home, cleaning things out because her mother had moved into assisted living...
A smash hit in 1970, the show 'Company' features a series of musical vignettes in no particular order on the subject of human relationships and marriage. The central character, Robert/Bobby (Samuel J. Gleason), is turning 35 and begins to question his bachelorhood.
At a recent performance of Sarah Ruhl’s Dead Man’s Cell Phone, one audience member was heard to murmur to her seatmate, “Is this funny? I think it’s sad,” while other audience members chuckled. It’s a fair question... The Raven Players production runs through May 26 at the Raven Performing Arts Theater in Healdsburg...