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June 4, 2023

The Shows Must Go On

Theaters plan varied 2022-2023 seasons

Fall is usually marked by the local theater community with a series of ambitious announcements heralding the shows each company plans to produce for their new season.

COVID continues to be a factor as companies optimistically make plans while struggling to fill casts and schedule rehearsals. Some companies have reacted to the continued uncertainty surrounding the pandemic by reducing the number of productions in their season. Others continue full-force on the trek to “normalcy” by planning for complete seasons with shows that often require large casts. We shall see.

COVID protocols vary from company to company. In their desire to attract still-wary audiences, many companies tout that they are “fully vaccinated,” meaning that to step foot in the building in any capacity—employee, volunteer, actor, musician—requires complete vaccination. As far as audience members, some companies still require proof of vaccination and masking to attend, while others simply make a “recommendation.”  Most companies list their protocols on their websites but, in many cases, they’ve been moved from a prominent position on the companies’ homepages to other, less immediately visible areas.

So the shows go on in the North Bay, with companies bringing the usual mix of familiar musicals, drama and comedies to their stages—with an occasional step out of the norm.

This season, Healdsburg’s Raven Players venture north to the Cloverdale Performing Arts Center for a reprise of their production of The Complete Works of William Shakespeare (Abridged) for a two-weekend run beginning Sept. 17. (cloverdaleperformingarts.com)  

Left Edge Theatre will present Fun Home, the musical adaptation of Alison Bechdel’s 2006 graphic novel, which was a big hit, both off- and on-Broadway, and will be the inaugural production at The California, a new downtown-Santa Rosa entertainment venue. The show opens Sept. 3. (leftedgetheatre.com)

Monte Rio’s Curtain Call Theatre keeps things small with A. R. Gurney’s two-hander Love Letters. This simply staged exploration of a couple’s relationship, as recounted through their writings to each other, opens Sept. 2. (russianriverhall.com)

For folks seeking a more-traditional musical, Rohnert Park’s Spreckels Performing Arts Center will present Meredith Willson’s The Music Man on their expansive Codding Theatre stage beginning Sept. 9. This show has one of the largest casts in the area, but it remains to be seen if there will actually be 76 trombones leading the big parade. (spreckelsonline.com)

Sonoma Arts Live goes a bit off their beaten path with Ain’t Misbehavin’. Director Aja Gianola-Norris brings artists of color together on the Rotary Stage at Andrews Hall in this tribute to the music of “Fats” Waller and the jazz and swing eras. The show opens Sept. 9. (sonomartslive.com)

If adults acting like children is your thing, then Petaluma’s Cinnabar Theater has the show for you. It’s The 25th Annual Putnam County Spelling Bee and it goes down—and up—on Sept. 9. (cinnabartheater.org)

Santa Rosa’s 6th Street Playhouse brings the latest iteration of the Kander-and-Ebb musical Cabaret to their GK Hardt Theatre on Sept. 15. Jared Sakren directs what 6th Street describes as a “daring and provocative” production with “lavish music, erotic dancing and an alarming finale.” (6thstreetplayhouse.com)

Sebastopol’s Main Stage West follows last season’s closing production of Jen Silverman’s Wink with a late-September season-opening production of Silverman’s The Moors. Expect a little weirdness and some very dark humor in this one. (mainstagewest.com)

Santa Rosa Junior College’s Theatre Arts Department will present the theatrical adaptation of the film Stand by Me in the renovated Burbank Auditorium’s Studio Theater at the end of September. (theatrearts.santarosa.edu)

North Bay theater patrons will certainly have plenty of options in the fall, but it might behoove the local producing organizations to look at simultaneous runs as a possible impediment to rebuilding their audiences—let alone getting critics to their openings.


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